Wednesday, January 15, 2014
Jamaica Inn
What a wonderful thing that Daphne du Maurier’s Jamaica Inn was the most recent pick for the Slaves of Golconda reading group (in which everyone is welcome to participate!). I’d read du Maurier’s most famous novel, Rebecca, and liked it very much, but somehow I never got around to reading further in her work. But I loved Jamaica Inn and am inspired to read more du Maurier now. The novel surprised me. After reading Rebecca
the plot twists and turns and the moodiness and sensationalism of it
weren’t a surprise, but I expected it to be another novel that takes
place in a big house amongst people with wealth. However, Jamaica Inn
is very much a novel of the lower classes; it takes place among farms
and tiny villages and its characters are smugglers and horse thieves.
The novel tells the story of Mary Yellan, a 23-year-old who has just lost her mother and now, to fulfill a promise, has gone to live with her Aunt Patience. The last time Mary met Patience, she was happy and full of life, but things have changed: Patience has married Joss Merlyn, a surly, violent man who now runs Jamaica Inn, a place strangely devoid of customers — and a place that, mysteriously, no one wants to talk about. As Mary settles in to Jamaica Inn, she becomes determined to get her aunt away from her husband and into a better situation, but she gets unwillingly caught up in her uncle’s doings — which she realizes are worse and worse the longer she lives there — and becomes more and more miserable.
There are two sources of hope for Mary, although neither is particularly hopeful. The first is Joss Merlyn’s brother, Jem, who cheerfully admits he is a horse thief but whose involvement in his brother’s darker doings is uncertain. He is a mysterious figure whom Mary doesn’t trust, but something continually draws her back to him. The other figure of hope, a more substantial one, is a local vicar, Francis Davey, who treats Mary kindly, but who is distant and almost otherworldly. Something about him doesn’t sit right with Mary. But she is on her own and needs to take help wherever she can find it.
The novel started off just a tad slowly for me, but once it gets going, the plotting is very well done — the novel is suspenseful and exciting. Okay, I could figure out roughly where things were going, but there were plenty of surprises and du Maurier kept me glued to the book. In addition to the plot, though, there is much to appreciate. The novel is set in Cornwall, which du Maurier evokes beautifully. The sea, the moors, the marshes, the country roads are all integral parts of the book. Mary is a champion walker, and I could feel the rain and the wind as I read about her exploratory rambles around Jamaica Inn.
Mary is a fascinating character, spirited and independent, as I imagine her Aunt Patience once was. She is often doing things that other characters think women shouldn’t do: taking those long walks unaccompanied, for example, often in circumstances that would frighten just about anyone. She frequently thinks that all she wants to do is live a man’s life, which is to say, she wants to work a farm independently, as a man would. She has no aspirations to marry, as she knows marriage can often lead to subjection and misery, as it did for her aunt. She knows how the world works and what she needs to do to keep herself safe.
She is not a complete loner (although, appealingly, she prefers people who know how to keep quiet when they should to those who will talk nervously through any situation); she has fond memories of living in her small village with her mother, knowing all the people who live around her and being able to count on them for help. She wants a community and to know her place within it, and she is not interested in social climbing; when offered the opportunity to live with a family from a higher class than hers, she rejects it, knowing it’s not her place.
On the one hand, Mary knows who she is and what she wants out of life, but, on the other, there is something appealing about excitement and newness, an appeal that is reflected in the wild landscape surrounding her. At times the rough winds of Cornwall are frightening and lonesome, but at others, they are exhilarating. Perhaps Mary isn’t so sure what she wants out of life after all.
Jamaica Inn is so different from Rebecca that I wonder what du Maurier’s other novels are like. I’m looking forward to finding out.
The novel tells the story of Mary Yellan, a 23-year-old who has just lost her mother and now, to fulfill a promise, has gone to live with her Aunt Patience. The last time Mary met Patience, she was happy and full of life, but things have changed: Patience has married Joss Merlyn, a surly, violent man who now runs Jamaica Inn, a place strangely devoid of customers — and a place that, mysteriously, no one wants to talk about. As Mary settles in to Jamaica Inn, she becomes determined to get her aunt away from her husband and into a better situation, but she gets unwillingly caught up in her uncle’s doings — which she realizes are worse and worse the longer she lives there — and becomes more and more miserable.
There are two sources of hope for Mary, although neither is particularly hopeful. The first is Joss Merlyn’s brother, Jem, who cheerfully admits he is a horse thief but whose involvement in his brother’s darker doings is uncertain. He is a mysterious figure whom Mary doesn’t trust, but something continually draws her back to him. The other figure of hope, a more substantial one, is a local vicar, Francis Davey, who treats Mary kindly, but who is distant and almost otherworldly. Something about him doesn’t sit right with Mary. But she is on her own and needs to take help wherever she can find it.
The novel started off just a tad slowly for me, but once it gets going, the plotting is very well done — the novel is suspenseful and exciting. Okay, I could figure out roughly where things were going, but there were plenty of surprises and du Maurier kept me glued to the book. In addition to the plot, though, there is much to appreciate. The novel is set in Cornwall, which du Maurier evokes beautifully. The sea, the moors, the marshes, the country roads are all integral parts of the book. Mary is a champion walker, and I could feel the rain and the wind as I read about her exploratory rambles around Jamaica Inn.
Mary is a fascinating character, spirited and independent, as I imagine her Aunt Patience once was. She is often doing things that other characters think women shouldn’t do: taking those long walks unaccompanied, for example, often in circumstances that would frighten just about anyone. She frequently thinks that all she wants to do is live a man’s life, which is to say, she wants to work a farm independently, as a man would. She has no aspirations to marry, as she knows marriage can often lead to subjection and misery, as it did for her aunt. She knows how the world works and what she needs to do to keep herself safe.
She is not a complete loner (although, appealingly, she prefers people who know how to keep quiet when they should to those who will talk nervously through any situation); she has fond memories of living in her small village with her mother, knowing all the people who live around her and being able to count on them for help. She wants a community and to know her place within it, and she is not interested in social climbing; when offered the opportunity to live with a family from a higher class than hers, she rejects it, knowing it’s not her place.
On the one hand, Mary knows who she is and what she wants out of life, but, on the other, there is something appealing about excitement and newness, an appeal that is reflected in the wild landscape surrounding her. At times the rough winds of Cornwall are frightening and lonesome, but at others, they are exhilarating. Perhaps Mary isn’t so sure what she wants out of life after all.
Jamaica Inn is so different from Rebecca that I wonder what du Maurier’s other novels are like. I’m looking forward to finding out.
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1 comment:
It is very different from Rebecca, isn't it? I ended up thinking it just ok. I was expecting something more like Rebecca and I interrupted Bring Up the Bodies with it and I suspect it might have lost in comparison.
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