I didn't realize until I finished The Yacoubian Building how
its characters and stories had caught me up emotionally. The
consistently flat narration--I'm not sure if this is a function of the
translation or a genuine reflection of Al Aswany's style--and the
dispersal of our attention across multiple plots conspired against any
strong feelings except curiosity for much of the novel. But by the end I
found that curiosity had turned into concern, even care, about how each
person's story would end, and each ending was, in its own way, deeply
moving. Some stories (Souad, Taha, Hatim especially) are heartrending;
others (Abaskharon and Malak) wryly comic; others (Busayna and Zaki) are
surprisingly beautiful and hopeful.
The Yacoubian Building
(and the Yacoubian Building) is a microcosm of a world that comes
across as chaotic, risky, bleak, yet shot through with a kind of wistful
longing for dignity and love, the two things all of the characters are
ultimately in search of. Even as you watch their mistakes, their
compromises, their sacrifices, their sins, it's hard to sit in judgment,
because the medium they move in is so relentlessly corrupt. The
conviction that there's no winning against this system may account for
the matter-of-fact tone and the absence of authorial commentary about
even the novel's most depressing sequences, such as Taha's descent into
extremism--inaugurated not by religious fanaticism or political
commitment but by the injustice and prejudice of a bureaucracy that
blocks him from his honorable dream--or the disastrous conclusion of
Hatim's affair with Abd Rabbuh, for whose shame, guilt and resentment
Hatim's sad love proves an unequal match. "I'm sure that Our Lord will
forgive us because we don't do anyone any harm," Hatim reassures his
lover; "We just love one another." If only that belief were reflected in
the world around them.
Al Aswany's storytelling is so inexorable
it feels fatalistic. But against the backdrop of cynicism and despair,
Al Aswany sets the unlikely, unforeseeable--the "strange and
unexpected"-- love story of Busayna and Zaki: "little by little, raising
his arms aloft amid the joyful laughter and cries of the others, he
joined her in the dance."
(cross-posted to Novel Readings)
I'm glad you enjoyed it. I wanted to but it was just lacking something for me.
ReplyDeleteI never quite got the point you describe of feeling moved at the end, but I guess I was in moments, particularly with the Taha story. I think you're right that the lack of authorial commentary comes partly from the feeling that there's nothing to do about the corruption (except write a novel about it, I suppose).
ReplyDeleteI didn't enjoy it much either, sadly. I would still give the film a shot though. Here's my short and not very useful review:
ReplyDeletehttp://jamandidleness.com/2012/06/08/a-much-overdue-post-on-the-yacoubian-building/